The Serpent’s Tale, sequel to last year’s
Mistress of the Art of Death, finds our medieval MD, Adelia Aguilar, forced out of retirement by Henry II to investigate the murder of his mistress, Rosamund Clifford.
I have seen these books referred to in other reviews as
CSI: Canterbury, and I think that is an apt description. The series reminds me a bit of Brother Cadfael. Fans of historical fiction in general and historical murder mysteries in particular would enjoy these books. While there are a few scenes in this installment that seemed unnecessarily slow and I don’t feel the plot was as strong as the one in
Mistress of the Art of Death, I still found
The Serpent’s Tale to be a satisfying read. Adelia is a wonderfully independent lead character and very believable as a woman doctor/coroner struggling to do her job in a society where her methods are looked upon as witchcraft. But the real magic of this series is in its secondary characters. Mansur, Adelia’s Arab assistant, Rowley Picot, her lover and newly appointed Bishop of St. Albans, and the wildly entertaining Gyltha, whose observations regarding people and political events made me laugh out loud, are people you’ll be glad to meet again and sorry to let go when the last page is turned. (And I’ve probably spelled Gyltha’s name wrong, since I listened to the audio book and am guessing. . .)
Here’s to hoping we have many more adventures with Dr. Vesuvia Adelia Rachel Ortese Aguilar of Salerno and her band of misfits!
Lezlie
PS Just a side note: This is the second book I read this month in which Eleanor of Aquitaine was a character, and I didn't like her in either one. Hmmmm. . .